No, not meedee. SOS
No, not meedee. SOS
If hnry posted, Does that mean I can too?
Some of you have heard my noise before. It hasn't changed.
I did invest in some new mixing tools.....and hardware.
All just to do the "Same Ole Shit".
Room to Live.
Some of you have heard my noise before. It hasn't changed.
I did invest in some new mixing tools.....and hardware.
All just to do the "Same Ole Shit".
Room to Live.
- Ifunkus
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Re: No, not meedee. SOS
Its beautiful Marty, clean and crisp, could be an intro to a movie or along them lines, no qualms here buddy. Good job. sounds really nice through my M audio bx 8's
Re: No, not meedee. SOS
Thank you Ivan. I try. I replaced my powered desktop monitors for a passive set of JBL 4410 studio monitors. This week I had to buy a new A2D converter as the old Edirol unit started dropping input channels. I bought a Motu 828se. Man you talk about spaghetti. It has more inputs and outputs. I am still working on setting levels. Since the monitors are passive I had to have an amp. Found a Hafler P3100 which was a good match for the JBL monitors. I am currently trying to tie in a Pioneer RT-707 reel to reel. The others will come later when I figure the source levels out on this.
But what really helped was finding the Tokyo Dawn VSTs. They a have a set of EQs and compressors that work great both in mixing and mastering. Did some reading on loudness levels too so now I have some measure of output levels.
Thanks for the ear man.
But what really helped was finding the Tokyo Dawn VSTs. They a have a set of EQs and compressors that work great both in mixing and mastering. Did some reading on loudness levels too so now I have some measure of output levels.
Thanks for the ear man.
Last edited by Mr. Marty on Wed Dec 02, 2020 3:46 am, edited 2 times in total.
- Ifunkus
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Re: No, not meedee. SOS
sounds cool man, id say them jbl monitors are nice, nice bit of equipment you've got , fun for hours there, no doubt about that,
and....more than welcome brother, any time.
and....more than welcome brother, any time.
- Heigen5
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Re: No, not meedee. SOS
Listening right now:
Excellent stuff, nice sparkly finger-picks and touches. Easy for the mind and very relaxing too...
Nice variation to electronic stuff. I have JBL LS R305 actives myself - they are pretty good too.
Glad you're satisfied with your new "toys".
Excellent stuff, nice sparkly finger-picks and touches. Easy for the mind and very relaxing too...
Nice variation to electronic stuff. I have JBL LS R305 actives myself - they are pretty good too.
Glad you're satisfied with your new "toys".
- Trobador222
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Re: No, not meedee. SOS
Tasteful as always Marty!
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- Lasagna Pirate
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Re: No, not meedee. SOS
That piano sounds very jangly.
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5 layers of beef noodles and cheese
Re: No, not meedee. SOS
Dane your ears need retuning.
Many of you mentioned "crisp". Too much?
Many of you mentioned "crisp". Too much?
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Re: No, not meedee. SOS
Mr. Marty wrote: Sat Nov 28, 2020 12:43 am If hnry posted, Does that mean I can too?
Some of you have heard my noise before. It hasn't changed.
I did invest in some new mixing tools.....and hardware.
All just to do the "Same Ole Shit".
Room to Live.
So what VSTi did you use for the guitar bits Marty?
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Re: No, not meedee. SOS
Thanks Dolly,
I used several from TDR (Tokyo Dawn Records) VST. Each track starts with Nova GE, a highly versatile 6 band parametric EQ and compressor(s). Each band has its own compressor. This recording was a bit brittle so I added a de-edger on the rhythm. That goes into a reverb vst from Cakewalk. The output goes into a compressor/limiter for the track output. All three tracks have these VSTs. The rhythm goes into TDT/s SlickEQ which is sort of like a 6 band compressor. It allows for the width adjustment and placement for specific frequencies. It is a nice way to spread the rhythm track. All tracks end up in the master track where the Kotelnikov compressor is applied then passed to a final limiter. The limiter is just to monitor the loudness of the overall output.
I used several from TDR (Tokyo Dawn Records) VST. Each track starts with Nova GE, a highly versatile 6 band parametric EQ and compressor(s). Each band has its own compressor. This recording was a bit brittle so I added a de-edger on the rhythm. That goes into a reverb vst from Cakewalk. The output goes into a compressor/limiter for the track output. All three tracks have these VSTs. The rhythm goes into TDT/s SlickEQ which is sort of like a 6 band compressor. It allows for the width adjustment and placement for specific frequencies. It is a nice way to spread the rhythm track. All tracks end up in the master track where the Kotelnikov compressor is applied then passed to a final limiter. The limiter is just to monitor the loudness of the overall output.
- Citizen Dolly
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Re: No, not meedee. SOS
I've used Nova before - tis cool.
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Re: No, not meedee. SOS
You should try the Kotelnikov mastering compressor. There is a free version like Nova. If you got the cash I would suggest the SkickEQ it really enhances the stage image of the music.






